 
 Photo: Courtesy of Parker Fitzgerald  
We developed a total fan girl crush on Anya Marina when she covered rapper T.I.’s “Whatever You Like” on season three of  Gossip Girl. If you didn’t catch that episode, you’ve probably heard the  songstress’ soft, childlike voice on other hit shows, including Grey’s  Anatomy, 90210, and How I Met Your Mother—not to mention her big screen  debut on The Twilight Saga: New Moon soundtrack. In addition to making  the rounds on TV shows, the Michigan-born singer-songwriter has also  toured with acts like Jason Mraz, Spoon, The Virgins, and, most  recently, Nikka Costa at NYC’s Highline Ballroom. We caught up with Anya while she was out promoting her new album, Felony  Flats (released in March) and chatted with her about producing her own  music, life on the road with Jason Mraz, and whether she’s Team Edward  or Team Jacob.  
ELLEgirl (EG): How were you discovered? Anya Marina 
(AM): I guess I was discovered by Alexandra Patsavas at Chop Shop Records when I was a DJ in San Diego and I was part-timing as a musician. I had  recorded my own album, Miss Halfway, and she heard the title track from  that and put it in a show that she was music supervising called Grey’s  Anatomy, and that was my big break if you will. 
EG: You used to act. Do you incorporate acting bits into your onstage  performances? 
AM: I think I can’t really help my somewhat entertainer personality—it  comes out during shows, so there’s certainly an element of that. But I  don’t think about it, I just like to connect with the crowd and get  whatever is in my head out—it’s very therapeutic to connect with people  that way. I don’t do a standard music show where you just play songs and  say “good night.” I like to also talk to people. It’s not an elevated  rock show either, it’s a little more casual. I think once I had Shaun  Cassidy come up and sang a song with me. Just a couple weeks ago, I  grabbed a person onstage with me who was one of my seatmates on a flight  and made him tell me half the stories he told me onstage. Sometimes  some stories get told about my mom, she’s Russian, so there’s all that,  but it’s really whatever went on that week or whatever things are  bothering me. I tend to overshare. 
EG: Your song, “Satellite Heart” was featured on the The Twilight Saga:  New Moon soundtrack. Why do you think the song and its lyrics worked so  well in the movie? 
AM: I think that the director, Chris Weitz, thought that it really spoke  to the Bella character. I wrote it for her in mind, I got to see the  movie before it came out. I just felt really moved by that character’s  sense of really feeling lost and spun out without her soulmate, and I  think that is such a romantic idea to have a soulmate and someone that  you really feel lost without…I wanted to write a song that spoke to that  real romantic Shakespearean love where you feel lost without someone. 
EG: Are you Team Edward or Team Jacob? AM: I have to be Team Edward, it’s so obvious. I don’t know, it seems  like it would be a person without arms if she wasn’t with him. 
EG: You’re probably sick of hearing this, but your sound is quite  different from T.I.’s. Why did you decide to cover “Whatever You Like”? 
AM: I loved the melody of that song and I thought it was really catchy  obviously. I heard it in a club and everybody was singing. It has sort  of childhood lyrics…it’s such a sort of nursery rhyme-y childlike  refrain so that called back to me. I think I was seduced by the melody  right away, and of course the lyrics. I really wanted to showcase the  lyrics and I think that comes across [in the song]. 
EG: What was it like touring with Jason Mraz? AM: I love touring with Jason, not only because he and I go way back and  are friends from San Diego days but also because he has a wonderful  woman named Tricia Huffman who was his “joyologist”—she would lead us in  yoga every day and prepare these amazing raw vegan meals. I felt really  high on life because we were eating this really fresh organic amazing  food and playing music and it was amazing to really take care of  ourselves and play music, so it was just a lot of fun. And we had a lot  of dance parties on the bus. 
EG: You live in Portland, which is known for its trendy hipster style.  Did it influence how you dress? 
AM: It’s influenced me in that I don’t wear as much makeup as I used to.  There’s not really such an emphasis on covering up or looks as much. I  think it’s a very natural sort of place, and obviously everybody’s  interested in organic this and that, so I think it’s really influencing  in that way. I don’t wear makeup a lot of times. 
EG: You produced your new record, Felony Flats, all by yourself. What  were the struggles you faced? 
AM: The biggest struggle I faced was just doubting I could do it, and  once I got over that, it was really fun. And I had a great engineer that  helped me out, Gregg Williams, and if it wasn’t for him, I couldn’t  have gotten a lot of the sounds that I needed to get, and he had so many  great ideas too. It was really fun. It was really empowering to know  that I could do something that was completely out of my wheelhouse. 
EG: A lot of your first album, Miss Halfway, talked about your ex’s.  What does Felony Flats focus on? Has your sound changed? 
AM: [The sound is] not totally far off. In fact, I just listened to Miss  Halfway a few days ago, and even though it sounds a lot different, a  lot of the spirit is the same—there’s still the same themes that pop up  here and there. Felony Flats is much more tough and confident, and as a  sound, I’ve definitely graduated to a place where I don’t think I’ll  look back on this record and cringe. 
EG: Do you cringe when you listen to your first record? 
AM: I really didn’t know how to arrange songs that well yet and  everything sounds so sweet sometimes to me, but when you really listen  to the lyrics, the edges are still very much there. It’s still got a lot  of snark and pain and yearning and honesty, so I’m really proud of  that. Even though something can sound really pretty, that doesn’t mean  that it lacks heart. A lot of [Felony Flats] is just believing in  yourself, like that song “Believe Me I Believe”…moving, transitioning—I  was moving from L.A. to Portland—saying goodbye to old relationships,  there are a lot of subtle things. You kind of have to listen to it and  figure it out for yourself. For me, it’s mostly that transition and  really digging deep and getting over hurdles and growing up.